How are the cameras going to be used? How far are they from the subject? In the past few years, many of the things that make ENG cams good for IMAG have been added to Cine-style cameras. These factors ...

Looking to gain a larger share of the ENG market in these tough economic times, Panasonic introduced an 8lb, high-definition shoulder mount camera that records to P2 solid-state cards. With ...

Panasonic's new 4K AJ-CX4000 shows us that there's still life in the traditional ENG camera yet. There was once a time when a new ENG/EFP camera release was big news. There was a reason for this. Not ...

Rode has developed the new VideoMic Pro, a professional-grade shotgun microphone for use with small format digital video cameras, including HDSLRs. The microphone exhibits low noise and an unusually ...

JVCs Connected Cam promises to be the most versatile and adaptable ENG camera yet. We take a good look at what it can do in this detailed preview. I was once asked to set up an ENG camera for use as ...

KUSI San Diego (DMA 29), an independent station owned by McKinnon Broadcasting, has purchased 11 JVC Professional Video GY‑HC900 CONNECTED CAM 2/3-inch broadcast camcorders for ENG and EFP projects.

When I started in the video production business in 1992, the typical camera profile for professional producers was a 3-CCD camcorder that shot on S-VHS tape and sold in the $7,500–$10,000-plus range, ...

With improvements in technology, camera manufacturers are now able to deliver high-quality units that record in both high def and standard def, while costing much less than yesterday’s $30,000 units.

When I started in the video production business in 1992, the typical camera profile for professional producers was a 3-CCD camcorder that shot on S-VHS tape and sold in the $7,500–$10,000-plus range, ...