Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. Rinaldo Alessandrini and Concerto Italiano continue their exploration of ...

Track review of "Poro, re dell'Indie: Overture/Duet "Caro! Dolce" Amico amplesso"" The alto and contralto voices were popular for male roles in the Baroque Period. Mingardo's true contralto (as ...

Harpsichord virtuoso Rinaldo Alessandrini, founder of the acclaimed Concerto Italiano and one of the world’s foremost interpreters of Baroque music, will make his first Los Angeles appearance, ...

Roula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter. The Italians came late to period performance style, but they have certainly made up for lost time. Rinaldo ...

We acknowledge Aboriginal and Torres Strait Islander peoples as the First Australians and Traditional Custodians of the lands where we live, learn and work.

The only solo recital in this year's Lufthansa Baroque festival reinforced its Grand Tour theme, bringing in an Italian harpsichordist to explore the Italian influence that reached into JS Bach's ...

Having set new standards of excellence in performing Monteverdi’s music, Rinaldo Alessandrini celebrates 400 years of L’Orfeo in style The most important date in operatic history is February 24, 1607.

There are few performers better-versed in the music of Claudio Monteverdi than Rinaldo Alessandrini and the ensemble he founded 30 years ago, Concerto Italiano. In 2007 they brought a five-part ...

Lucie Skeaping presents highlights of a concert given earlier this year at the Vienna Konzerthaus, featuring contralto Sara Mingardo and harpsichord player Rinaldo Alessandrini performing a programme ...

A casual glance at the cover might suggest that this is a recording of Monteverdi's Vespers of 1610, and indeed listening to the first track you might similarly be led to believe that is what it is.