For “Love and Monsters,” the film’s VFX team, led by Matt Sloan, had to devise 13 different monsters, each with a unique look. “Each had its own design rules and personality. From gross little ...

Though the Russian film “Sputnik” is a sci-fi movie that begins in the vastness of space, the goal for Arman Yahin and his VFX team at Main Road Post was a narrow one: to build out the alien ...

Marvel Cinematic Universe Eternals’ Director Explained Which Unexpected Part Of Making The Marvel Movie Was ‘Actually Quite Dangerous,’ And I See Where She’s Coming From Movies Eternals Director Chloé ...

Christopher Nolan’s Interstellar created a black hole that would later turn out to be fairly scientifically accurate.

VFX artists discuss how the special effects for spell-casting were created in the last few Harry Potter movies, which feature ...

VFX director Brian Drewes and his team stitched together 23 shots for the viral 24-second scene. "There's no reference for it in the real world," he says. By Zoe G. Phillips In Luca Guadagnino‘s ...

Marvel Cinematic Universe ‘I Said She Should Recast’: Black Widow’s Ray Winstone Recalls Frustrations With Reshoots On Marvel Blockbuster Marvel Cinematic Universe That Time Black Widow’s Writer Ran ...

“The new Neomorph was developed from an idea Ridley [Scott] had since the early days of 'Prometheus,'” says VFX supervisor Charley Henley. By Carolyn Giardina Tech Editor Since they wanted to shoot ...